Factory International’s 2025 season promises a groundbreaking fusion of music and theatre.
- Headlined by a reimagined ‘Hamlet’ set to Radiohead’s ‘Hail to the Thief’.
- Marina Abramović to premiere ‘Balkan Erotic Epic’, exploring deep-rooted cultural rituals.
- Nederlands Dans Theater and Complicité present ‘Figures in Extinction’ trilogy’s conclusion.
- Manchester International Festival welcomes new Creative Director, Low Kee Hong.
Factory International has revealed its ambitious programme for 2025, leading with a pioneering production of Shakespeare’s ‘Hamlet’, intertwined with Radiohead’s ‘Hail to the Thief’. Directed by Steven Hoggett and Christine Jones, and with music reimagined by Thom Yorke, the play explores the thematic synergy between the play’s narrative and the album’s underlying motifs of grief and paranoia. ‘This is an interesting and intimidating challenge,’ Yorke remarked, highlighting the intention to use the music as a dynamic presence within the theatrical environment.
This daring production will feature a talented ensemble of 20 musicians and actors, and is set to premiere at Factory International before moving to the Royal Shakespeare Theatre, Stratford. Christine Jones expressed her long-standing aspiration to witness the convergence of the text and music, stating, ‘For years I’ve wanted to see the play and album collide in a piece of theatre.’
More headline performances include Marina Abramović’s ‘Balkan Erotic Epic’, a world premiere that delves into the rich tapestry of Balkan folklore and spirituality. Abramović reflects on her childhood experiences with spiritual rituals, which have profoundly influenced her understanding of the world. By rediscovering these ancient narratives, Abramović aims to illuminate contemporary perceptions of existence and spirituality.
Another significant premiere is the final chapter of Simon McBurney and Crystal Pite’s celebrated dance trilogy, ‘Figures in Extinction’, presented by Nederlands Dans Theater and Complicité. This collaboration promises to push the boundaries of contemporary dance, continuing the innovative narrative and choreographic exploration that has characterised the trilogy.
The 2025 season will also witness the Manchester International Festival under newly appointed Creative Director Low Kee Hong, marking a fresh chapter for the event. As the details unfold, anticipation builds for the innovative projects aligned with Factory International’s vision to foster creative partnerships and groundbreaking artistic expressions.
Factory International’s 2025 programme exemplifies their commitment to innovative and boundary-pushing artistic ventures.
